Paul Clay Design

Paul Clay Design Art, Design, and Creative Direction <![CDATA[subverse-08]]> image-id:754 <![CDATA[subverse-07]]> image-id:753 <![CDATA[subverse-06]]> image-id:752 <![CDATA[subverse-05]]> image-id:751 <![CDATA[subverse-04]]> image-id:750 <![CDATA[subverse-03]]> image-id:749 <![CDATA[subverse-02]]> image-id:748 <![CDATA[subverse-01]]> image-id:747 <![CDATA[Investor_Lunch_Vid_Wall-04]]> image-id:739 <![CDATA[Investor_Lunch_Vid_Wall-03]]> image-id:738 <![CDATA[Investor_Lunch_Vid_Wall-02]]> image-id:737 <![CDATA[Investor_Lunch_Vid_Wall-01]]> image-id:736 <![CDATA[one57_lighting-03]]> image-id:735 <![CDATA[one57_lighting-02]]> image-id:734 <![CDATA[one57_lighting-01]]> image-id:733 <![CDATA[sleep_number_ces2016-07]]> image-id:732 <![CDATA[sleep_number_ces2016-06]]> image-id:731 <![CDATA[sleep_number_ces2016-05]]> image-id:730 <![CDATA[sleep_number_ces2016-04]]> image-id:729 <![CDATA[sleep_number_ces2016-03]]> image-id:728 <![CDATA[sleep_number_ces2016-02]]> image-id:727 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<![CDATA[nederlander_des-05]]> image-id:236 <![CDATA[nederlander_des-04]]> image-id:235 <![CDATA[nederlander_des-03]]> image-id:234 <![CDATA[nederlander_des-02]]> image-id:233 <![CDATA[nederlander_des-01]]> image-id:232 <![CDATA[nederlander_des-20]]> image-id:231 <![CDATA[nederlander_des-19]]> image-id:230 <![CDATA[nederlander_des-18]]> image-id:229 <![CDATA[nederlander_des-26]]> image-id:228 <![CDATA[nederlander_des-25]]> image-id:227 <![CDATA[nederlander_des-24]]> image-id:226 <![CDATA[nederlander_des-23]]> image-id:225 <![CDATA[nederlander_des-22]]> image-id:224 <![CDATA[nederlander_des-21]]> image-id:223 <![CDATA[grand_street_terrarium-17a]]> image-id:222 <![CDATA[grand_street_terrarium-16a]]> image-id:221 <![CDATA[grand_street_terrarium-15]]> image-id:218 <![CDATA[grand_street_terrarium-14]]> image-id:217 <![CDATA[grand_street_terrarium-13]]> image-id:216 <![CDATA[grand_street_terrarium-12]]> image-id:215 <![CDATA[grand_street_terrarium-11]]> image-id:214 <![CDATA[grand_street_terrarium-10]]> image-id:213 <![CDATA[grand_street_terrarium-09]]> image-id:212 <![CDATA[grand_street_terrarium-08]]> image-id:211 <![CDATA[grand_street_terrarium-07]]> image-id:210 <![CDATA[grand_street_terrarium-06]]> image-id:209 <![CDATA[grand_street_terrarium-05]]> image-id:208 <![CDATA[grand_street_terrarium-04]]> image-id:207 <![CDATA[grand_street_terrarium-03a]]> image-id:206 <![CDATA[grand_street_terrarium-02a]]> image-id:205 <![CDATA[grand_street_terrarium-01a]]> image-id:204 <![CDATA[illigstore-002]]> image-id:199 <![CDATA[illigstore-001]]> image-id:198 <![CDATA[illigstore-006]]> image-id:197 <![CDATA[illigstore-005]]> image-id:196 <![CDATA[illigstore-004]]> image-id:195 <![CDATA[illigstore-003]]> image-id:194 <![CDATA[to_lie_tenderly-08]]> image-id:193 <![CDATA[to_lie_tenderly-07]]> image-id:192 <![CDATA[to_lie_tenderly-06]]> image-id:191 <![CDATA[to_lie_tenderly-05]]> image-id:190 <![CDATA[to_lie_tenderly-04]]> image-id:189 <![CDATA[to_lie_tenderly-03]]> image-id:188 <![CDATA[to_lie_tenderly-02]]> image-id:187 <![CDATA[to_lie_tenderly-01]]> image-id:186 <![CDATA[stycsuc-08]]> image-id:185 <![CDATA[stycsuc-07]]> image-id:184 <![CDATA[stycsuc-06]]> image-id:183 <![CDATA[stycsuc-05]]> image-id:182 <![CDATA[stycsuc-04]]> image-id:181 <![CDATA[stycsuc-03]]> image-id:180 <![CDATA[stycsuc-02]]> image-id:179 <![CDATA[stycsuc-01]]> image-id:178 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-20]]> image-id:177 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-19]]> image-id:176 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-18]]> image-id:175 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-17]]> image-id:174 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-16]]> image-id:173 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-15]]> image-id:172 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-14]]> image-id:171 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-13]]> image-id:170 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-12]]> image-id:169 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-11]]> image-id:168 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-10]]> image-id:167 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-09]]> image-id:166 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-08]]> image-id:165 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-07]]> image-id:164 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK-06]]> image-id:163 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK - near life sized nude portraits of the actors as librarian/saints, basement.]]> image-id:162 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK - aerial dance, exterior wall.]]> image-id:161 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK - historical references to the Red Lady of Paviland and Prime Minister Gladstone.]]> image-id:160 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK - chorus, exterior courtyard.]]> image-id:159 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for National Theatre Wales, Volcano Theatre, Welsh National Opera's co-production entitled Shelf Life at the Old Swansea Library, Wales, UK - lighted book cairns, exterior courtyard.]]> image-id:158 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Picnic reprise.]]> image-id:157 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Cloud projections]]> image-id:156 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Red circle created with live filters.]]> image-id:155 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Medieval Drawings in negative.]]> image-id:154 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Live filters change forest video backdrop blue.]]> image-id:153 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Live filters change forest video backdrop red.]]> image-id:152 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Live drawing on stage creates forest video projection.]]> image-id:151 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Warm lighting iso downstage.]]> image-id:150 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Live video of objects manipulated on stage.]]> image-id:149 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Multiple live video windows.]]> image-id:148 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Strong top and front lighting.]]> image-id:147 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Positive and negative images multiply.]]> image-id:146 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Live ghost like video filter.]]> image-id:145 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Harsh key light.]]> image-id:144 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Colder lighting.]]> image-id:143 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Close up.]]> image-id:142 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Video of water and woods.]]> image-id:141 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Video Scenery.]]> image-id:140 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Live projection multiplying figures.]]> image-id:139 <![CDATA[Paul Clay's Lighting Design, and Video Design, for Triple Shadow's production entitled Night Picnic, at La MaMa - Live camera video projection.]]> image-id:138 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Patient's final monologue.]]> image-id:130 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Patient Passing.]]> image-id:129 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Doctor sensing Patient.]]> image-id:128 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Doctor monologue.]]> image-id:127 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Doctor and Patient again.]]> image-id:126 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Down Stage Iso.]]> image-id:125 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Pills Distribution.]]> image-id:124 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Ocean Projections.]]> image-id:123 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Health Admin Nightmares.]]> image-id:122 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Doctor and Patient.]]> image-id:121 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Bridge Projections.]]> image-id:120 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, a lighter moment.]]> image-id:119 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Math formula projections.]]> image-id:118 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Text header projection.]]> image-id:117 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Video Projection of hands.]]> image-id:116 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Cancer Cell projection.]]> image-id:115 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Monologue area.]]> image-id:114 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Chemotherapy Station.]]> image-id:113 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the production entitled Not God, Doctor's Office.]]> image-id:112 <![CDATA[Paul Clay's Set Design for the production entitled Not God, Full Stage View.]]> image-id:111 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, fencing.]]> image-id:110 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, Hanging Holiday decor.]]> image-id:109 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, Paper Moon, Furniture, etc.]]> image-id:108 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, Metal Sculpture.]]> image-id:107 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, Band Stand.]]> image-id:106 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, Back Wall.]]> image-id:105 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, Full Stage perspective.]]> image-id:104 <![CDATA[Paul Clay's 3D Model of the Set Design for the Broadway Production of RENT, Cover plate.]]> image-id:103 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, end of final performance, from the Paul Clay Design website.]]> image-id:102 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, ceramic artwork on proscenium arch, from the Paul Clay Design website.]]> image-id:101 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, fake collapsed theater box seats in audience, from the Paul Clay Design website.]]> image-id:100 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, fake collapsed theater box seats in audience, detail, from the Paul Clay Design website.]]> image-id:99 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, film projections celebrate the actors, from the Paul Clay Design website.]]> image-id:98 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, film projections inside story space, from the Paul Clay Design website.]]> image-id:97 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, DSRC focus plus nighttime sculpture, from the Paul Clay Design website.]]> image-id:96 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, summer heat, from the Paul Clay Design website.]]> image-id:95 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, DS Table becomes multiple nighttime locations, from the Paul Clay Design website.]]> image-id:94 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, St. Mark's Place at Christmas, from the Paul Clay Design website.]]> image-id:93 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, Metal Sculpture as Christmas tree, from the Paul Clay Design website.]]> image-id:92 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, holiday time, from the Paul Clay Design website.]]> image-id:91 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, police roust the homeless, from the Paul Clay Design website.]]> image-id:90 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, down stage table focus , from the Paul Clay Design website.]]> image-id:89 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, Metal Sculpture detail, from the Paul Clay Design website.]]> image-id:88 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, Metal Sculpture and Paper Moon, from the Paul Clay Design website.]]> image-id:87 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, stage right band area, from the Paul Clay Design website.]]> image-id:86 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, stage left detail, from the Paul Clay Design website.]]> image-id:85 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, full stage stage pre-set, from the Paul Clay Design website.]]> image-id:84 <![CDATA[Paul Clay's Set Design, and Projections Design, for the Broadway Production of RENT, full stage view, from the Paul Clay Design website.]]> image-id:83 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where the stage is covered in digital information projections, from the Paul Clay Design website.]]> image-id:82 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where actors appear live, but only on video, from the Paul Clay Design website.]]> image-id:81 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where a character is confronted by digital signage which promotes his now dead son, from the Paul Clay Design website.]]> image-id:80 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where actors appear without any media, from the Paul Clay Design website.]]> image-id:79 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where actors are blue screened live into 3D digital scenery, from the Paul Clay Design website.]]> image-id:78 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where an actor is confronted by a talking 3D digital avatar of herself, projected on a screen, from the Paul Clay Design website.]]> image-id:77 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, Full stage view, from the Paul Clay Design website.]]> image-id:76 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where video textures are mapped to elements of the stage scenery, from the Paul Clay Design website.]]> image-id:69 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where an actor is confronted by a video version of himself recorder from an earlier scene, from the Paul Clay Design website.]]> image-id:68 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where actors comunicate through wireless text chat on video projection, from the Paul Clay Design website.]]> image-id:67 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene evoking network data visualization, from the Paul Clay Design website.]]> image-id:66 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where wide screen projection, evokes the location, from the Paul Clay Design website.]]> image-id:65 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where the two live actors on stage kiss each other, but only through video, from the Paul Clay Design website.]]> image-id:64 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where one actor caresses the live video projection of the other actor rather than the actor herself, from the Paul Clay Design website.]]> image-id:63 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where textual data-flows are projected, from the Paul Clay Design website.]]> image-id:62 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where actors spoken words are augmented by text projected behind them, from the Paul Clay Design website.]]> image-id:61 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where actors perform in front of digital signage about corporations acting like people, from the Paul Clay Design website.]]> image-id:60 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, spatially displaced acting using video, from the Paul Clay Design website.]]> image-id:59 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, in a scene where an actor communicates live over an infrared camera, from the Paul Clay Design website.]]> image-id:58 <![CDATA[Paul Clay's Set Design, Lighting Design, and Video Design, for the Contact Theatre UK Production entitled Perfect, Stage Left showing live cameras and prerecorded content on multiple screens, from the Paul Clay Design website.]]> image-id:57